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| Gothic Architecture Glossaries Organized by Theme |
| Must
Know Term's of a Builder's Apprentice Unique Cathedral Features | Decoration and Motif Structural Design | Expression of Craft and Technique | Art Periods and Styles |
Structural
Components of
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| "Without
staying to examine the whole structure of a basilica, the
reader will easily understand thus much of it: that it had
a nave and two aisles, the nave much higher than the aisles;
that the nave was separated from the aisles by rows of shafts,
which supported, above, large spaces of flat or dead wall,
rising above the aisles, and forming the upper part of the
nave, now called the clerestory, which had a gabled wooden
roof." John Ruskin, Stones of Venice. |
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| ". . . if
from the examination of the general features we proceed to
the details of the building, every one who understands construction
will be amazed to see what numberless precautions are resorted
to in the execution,how the prudence of the practical
builder is combined with the daring of the artist full of
power and inventive imagination; while in examining the mouldings
and the sculpture we remark the use of reliable methods, a
scrupulous adherence to principles, a perfect appreciation
of effect, a style unequaled in purity by modern art, an execution
at the same time delicate and bold, quite free from exaggeration,
and owing its merit to the study and love of form." Viollet-le Duc, Regarding Notre Dame de Paris in Discourses on Architecture, 1860 |
Bibliographydu XIe au XVIe siècle, E. Viollet-le-Duc, Paris (1858-68) Georges Duby, London (1981) J. Bony , Berkeley (1983) |
| Development & Production Credits |
| Theme
Editor : Nicole Blackford
Primary Text : Rhey Cedron Art Direction : Thierry Alberto Art Research : Malcom Hurrell Principal Photography : Rhey Cedron Structural Design : Mark Nelson Research Assistant : Walter McCrae Support Production : Henry Craig, Joan Flandrin, Clara Kelly |

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