Earthlore Gothic Dreams - Cathedral Architecture Glossary Study Reference
Gothic Architecture Glossaries Organized by Theme
Must Know Term's of a Builder's Apprentice

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Structural Components of
Gothic Churches and Cathedrals:


  • Aisle : Passageways of a church or cathedral, separated from the Nave by rows of pillars; generally running along the north and south sides.

  • Ambulatory : A continuous isle which wraps a circular structure or an apse at its base. Designed for use in Processions.
    Gothic Dreams: Cathedral Apse
  • Apse : A vaulted element in a church or cathedral which serves to terminate a semicircular Aisle or Chapel. The Apse, generally domed, will often form the Altar. The term is derived from the Medieval Latin: absis or apsis.

  • Basilica : A term sometimes used in reference to a cathedral for ceremonial reasons, although traditionally denoting an earlier form of structure. The Basilica is the archetype of succeeding cathedral forms, the most famous of which is the early Saint Peter's in Rome. A Basilica consists of a Nave bordered along its side by Aisles with a Clerestory and an Apse.

  • Chancel : Altar space reserved for the clergy or choir, bordered by railings.

  • Chantry chapel : A sub-chapel set aside for chanting of masses, often sponsored through an endowment. Prayers in the Chantry chapel are generally dedicated to the donor.

  • Chapter house : The administrative center or Bishop's office, attached to a cathedral, traditionally organized for the overseeing of a cathedral's construction and maintenance.

  • Chevet : The extreme east of a cathedral when Chapels encircle an Apse and an Ambulatory.

  • Choir : The area located between the Sanctuary and the Nave. By definition: the place where the psalms are sung. Loosely used to define the whole East end of a cathedral, and as a synonym for Chancel. Traditionally inaccessible to the public, reserved for the clergy or members of the choir

  • Clerestory : The upper area of the Nave, Transepts and Choir. The raised passage, above the Aisles, often windowed.

  • Crossing : The central space of a church or cathedral. The intersection of the Nave, Transepts and Chancel. Gothic Dreams: Canterbury Crypt

  • Crypt : The rooms below the cathedral designated as burial chambers.

    Image at right:
    The Crypt of Canterbury cathedral, England.

  • Cupola : The turret which serves as the crown to the dome or roof of a structure.

    Garth : The garden or court within a cloister, usually attached to or near a cathedral.

  • Hall church : A structure which does not contain a Clerestory or Triforium, thus the Aisles and Nave will be approximately the same height.

  • Narthex : A ceilinged porch or vestibule situated west of the Nave and Aisles. (Sometimes referred to as a Galilee.)

  • Nave : The central area of the western branch of a cathedral, bordered by Aisles. The center of a church or cathedral, intended for seating of parishioners.

  • Oratory : A small chapel or private room set aside for individual prayer.

  • Parvis : An area situated before a church or cathedral, in some instances enclosed. Earthlore Historic Overview: Notre Dame de Paris

  • Porch : The reception space situated at the entrance to a church or cathedral.

  • Presbytery (Sanctuary) : The area east of the Choir which contains or features the High Altar. The area of a church or cathedral reserved for the clergy.

  • Retrochoir : The space situated directly to the rear of the altar in a church or cathedral.

  • Sacristy : The secure storing chamber for holy relics and sacred vestments. Gothic Dreams: Cathedral Spire of Notre Dame de Paris

  • Spire: A tapering, often elegant, structure set atop a tower. In certain instances, the tower itself has been designed as a spire. On churches, smaller scale spires are often referred to as Steeples.

    Image at right: The Spire over the crossing of the Transepts at Notre Dame de Paris.


  • Transepts : The north and south projecting extensions of a Cruciform style church or cathedral, crossing at right angles to the greater length.

  • Triforium: A walled passageway opening with arcades which run along and above the Nave, below the Clerestory.

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Expression & Technique

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"Without staying to examine the whole structure of a basilica, the reader will easily understand thus much of it: that it had a nave and two aisles, the nave much higher than the aisles; that the nave was separated from the aisles by rows of shafts, which supported, above, large spaces of flat or dead wall, rising above the aisles, and forming the upper part of the nave, now called the clerestory, which had a gabled wooden roof."

—John Ruskin,
Stones of Venice.


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    ". . . if from the examination of the general features we proceed to the details of the building, every one who understands construction will be amazed to see what numberless precautions are resorted to in the execution,—how the prudence of the practical builder is combined with the daring of the artist full of power and inventive imagination; while in examining the mouldings and the sculpture we remark the use of reliable methods, a scrupulous adherence to principles, a perfect appreciation of effect, a style unequaled in purity by modern art, an execution at the same time delicate and bold, quite free from exaggeration, and owing its merit to the study and love of form."

    — Viollet-le Duc,
    Regarding Notre Dame de Paris in Discourses on Architecture, 1860




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    Bibliography

    Cathedrals  Dictionnaire raisonné de l'architecture française
          du XIe au XVIe siècle,
          E. Viollet-le-Duc, Paris  (1858-68)
    Cathedrals  Mont Saint-Michel and Chartres,   Henry Adams  (1904)
    Cathedrals  Gothic Painting,  Jacques Dupont & C. Gnudi, Skira  (1954)
    Cathedral  The Gothic Cathedral,  Otto von Simson, Pantheon, NY  (1956)
    Cathedral  The Gothic,  Paul Frankl , Princeton U. Press  (1960)
    Cathedral  The Cathedral Builders,  Jean Gimpel, Grove Press, NY  (1961)
    Gothic History  Gothic Architecture Robert Branner, G. Braziller, NY  (1961)
    Gothic History  High Gothic,  Hans Jantzen ,  Pantheon, NY  (1962)
    Gothic History  Medieval Art I, II, III  Georges Duby, Skira, Geneva  (1966-67)
    Gothic Art  The Medieval Architect,  J. H. Harvey,  London  (1972)
    Gothic Art  The Age of the Cathedrals,  Art and Society 980-1420,
          Georges Duby, London  (1981)
    Gothic Art  French Gothic Architecture of the 12th and 13th Centuries,
          J. Bony ,  Berkeley  (1983)
    Gothic Art  The Gothic Cathedral,  C. Wilson ,  Thames & Hudson  (1990)
    Gothic Art  The Art of Gothic,  Könemann Verlagsgesellschaft mbH,  (1999)

     


    Development & Production Credits
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